Performa 19: Class Is in Session

The legacy of the Bauhaus — the German experimental art school that closed in 1933 — was on rampant display Friday night at Performa’s annual gala. Inside Stage37, guests were overwhelmingly dressed in their pick of the primary colors (red and blue proved more popular than yellow), the first of many nods to the Bauhaus influence on the art world.
Yvonne Rainer was transfixed by the cocktail hour dance performance choreographed by Emily Coates, who has been working with the legendary Post Modern choreographer to reimagine one of her scores, “Parts of Some Sextets,” for Performa’s biennial this month.
“It wouldn’t have happened without Emily Coates, who’s wandering around in a green outfit,” said Rainer, as Coates prepared to unhook the straps connecting her dancer onstage to various points in the room. “I would have never thought of reconstructing this dance.” Coates was inspired to broach the idea of piecing the dance together using archival photos and text after spotting a 50-year-old photo from the original performance at Judson Memorial Church. The photo showed 10 people perched on a pile of mattresses — Rainer and the various dancers of her piece, including Robert Rauschenberg, Steve Paxton and Robert Morris. Coates and Rainer

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